Sarah Davachi is devoted to the subtle architecture of sound, composing through duration, tuning, and the delicate motion of timbre across time. After her celebrated CTM 2026 performance, she returns to Berlin to present new material for solo organ at Gedächtniskirche.

Her work draws attention to the smallest shifts in resonance, informed by minimalism, early music, and experimental composition. Once these tones unfold, the environment feels suspended between memory and presence, with harmonic relationships breathing and recalibrating as they invite heightened awareness of vibration and intonation.

With a forthcoming album arriving later this year, Davachi continues her exploration of organ works alongside strings and voice. For this performance, she will present new material that exemplifies this expanded sonic vocabulary.

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